Humanities, Arts & Design

Literary Honor

December 6, 2023

Professor Jim Kraus receives Loretta Petrie Award

It was poetic that Chaminade English professor James Kraus, Ph.D., was announced as the recipient of this year’s Loretta Petrie Award by the Hawaii Literary Arts Council (HLAC). After all, the award’s namesake was an early leader of HLAC, and a teacher and administrator at Chaminade University, where she took an active role in its literary magazine and sustained her own lifelong interest in writing. A legacy that Kraus helps perpetuate today on campus.

English professor Jim Kraus, Ph.D., was a recipient of this year’s Loretta Petrie Award by the Hawaii Literary Arts Council.

“This is meaningful because it is recognition for the work I have done on behalf of the literary community, trying to model what it is to be a good ‘literary citizen,’” says Kraus who, incidentally, was hired by Petrie as a full-time Chaminade faculty member in 1985. “I’ve been active in this regard for well over 40 years, since I was in graduate school at the University of Hawaii in the 1970s.”

An avid surfer who started teaching part-time at Chaminade in 1976, Kraus’ formative years were spent studying nuclear engineering with the Navy, with a dream of getting into the United States Coast Guard Academy. Then the Vietnam War happened, and he became a conscientious objector, legally claiming the right to refuse to perform military service on the grounds of freedom, and conscience and thought principles.

“I never wanted anything to do with nuclear technology ever again when I returned from the Navy,” Kraus asserts. “There was a lot going on in those days, including the 1970 massive protests that led to the Kent State shooting.”

From 1980-1984, Kraus was the founder, editor and publisher of Hawai‘i Surf & Sea magazine, a publication dedicated to all aspects of the ocean. It was a passion for Kraus, as was poetry. Today, he is a popular English professor and a prolific author, whose poems have graced multiple magazines and literary journals, including Virginia Quarterly Review, Pequod, Unmuzzled Ox, Kentucky Poetry Review, Bamboo Ridge, Hawaii Review, Neologism Poetry Journal, Poetry Hawaii and elsewhere. His latest essay Poetry and Anti-Nuclearism was published in the volume Toxic Immanence: Decolonizing Nuclear Legacies and Futures (McGill-Queens University Press). He has also recently taught a poetry class at Halawa Correctional Facility as part of Chaminade’s Higher Education in Prison (HEP) program.

“The intent is to honor resident members of the Hawaii literary community whose contributions have benefited the work and advancement of others,” said HLAC officer John Simonds of the Loretta Petrie Award. “The awardees may (but need not) be active writers, professionals or volunteers in roles that may include (but are not limited to) editing, publishing, mentoring, event-organizing, promoting, or serving as creative allies or catalysts.”

Now in its seventh year, the awards were inspired by a bequest from Loretta D. Petrie (1928-2014), whose generosity has enabled the HLAC to honor her legacy of unselfish service, particularly to other writers. The awards have resulted from her unrestricted bequest to the Council, a gift made known after her death in 2014 at age 85. Members of her family living on the mainland agreed with HLAC that such an award would be appropriate to her memory.

A professor of English, Kraus teaches creative writing, American literature and surf studies. Currently, he is the editor of the Chaminade Literary Review (CLR). He is also a past president of the HLAC.

“My experience in the literary community has included participating in the Poets-in-the-schools Program, helping organize and incorporate the Hawaii Literary Arts Council back in the ’70s, sitting on its board in the ’80s, then serving as its president,” says Kraus, who will be on sabbatical in the spring at New York University. “I continue to be active in publishing Chaminade Literary Review—which was initiated by Petrie in 1986—as well as organizing poetry readings and other events.”

Celebrity Emcee

August 16, 2023

’96 alumna and former Miss Universe to host Silversword Reunion

How a young wahine who rode the #53 Bus from Pearl City every day to get to school landed on the international stage is a Cinderella story. At 26 years old and 128 days, Brook Meahealani Lee became the then-oldest woman to be crowned Miss Universe in 1997. It was as much a surprise to her, as it was to a worldwide audience of more than 600 million viewers.

“It was a lot to process at the time,” said Lee, a ’96 alumna who majored in English with a minor in Communication. “One moment I was in Shreveport, Louisiana, the next I’m in Miami, Florida. Next was Toronto, Canada and then back to Los Angeles. It was a whirlwind that year.”

Of mixed Hawaiian, Korean, Dutch, English, French, Portuguese and Chinese ancestry, Lee became the first indigenous person and Asian American to wear the crown. It was a sparkling moment, for sure, preceded only by equally memorable answers to two of the Miss Universe Final questions.

However, before getting to what made Lee’s remarks so memorable, there’s a bit of backstory. At that time, Lee’s predecessor, Miss Universe 1996, Alicia Machado, came under public scrutiny for her weight gain, drawing considerable press attention. So when host George Hamilton asked, “Miss Universe has recently been the subject of a lot of press attention about her weight. If this happened to you, how would you handle it?”

Lee perfectly offered up one of the best answers in pageant history. “I would take a good hard look at myself and I’d look from the inside out and I’d know that I was the same girl that was crowned that day,” Lee said. “So if I go up or go down—I get taller, I get shorter. My nose gets bigger… smaller. I’m still who I was when that crown was on my head and I’m a good representative no matter what.”

Yet, it was her response to the Miss Universe Final Question #3 that drew the loudest cheers and hysterical laughter from the audience and Hamilton. If social media existed then, her answer surely would have gone viral. And not for the unfortunate reasons most pageant answers make the social media rounds these days—Lee’s was amusing, frank and completely authentic in a very Hawaiian sense.

Asked: “If there were no rules in your life, for one day, and you could be outrageous, what would you do?” Lee unhesitatingly responded with: “I would eat everything in the world. You do not understand. I would eat everything twice.”

“It was a little bit of a jab at the President of Miss Universe Organization, who was the one who criticized the weight gain of my predessor,” said Lee, recalling that moment on stage. “But I don’t think he ever got it.”

Prior to winning Miss Hawaii USA and then being crowned Miss USA, Lee had minimal pageant experience. She said the first Miss Hawaii Competition she competed in, she lost big time. She would go on to win the title in 1997, which earned her a scholarship to Chaminade University. Walking through Henry Hall, Lee reminisced about her time on campus, pointing out Room 227 as the classroom where she sat for her English classes.

“I feel like I’m Jane Jetson; everything is so new,” quipped Lee, who will emcee the Silversword Reunion in October. Gesturing to the Sullivan Family Library, she pointed out that it didn’t exist when she was around, nor did the Athletics Coaches’ Office Complex below the parking structure.

While a lot has changed and improved since Lee’s time at Chaminade, some things remain the same. The Kalaepohaku campus is still as inviting, and students still need to climb all the steps to reach “Mount Kiefer.”

Brook Lee with her son Fynnegan, daughter Bailey and husband Tory Mell.

After her reign as Miss Universe, Lee made several cameo appearances in movies and television shows, and has hosted many television shows in Asia and the United States. She has also been a judge at Miss USA and Miss Universe pageants, and served as a color commentator for past Universe Pageants.

After permanently returning to Oahu from Los Angeles three years ago, Lee now juggles her time between being a mother of two, a supportive spouse and three gigs. She is the host of KHON2’s “Modern Wahine Hawaii;” she is the co-host for the Podcast “It’s a Hawaii Thing;” and she dances hula at Halekulani’s House Without a Key.” She also believes in service to the community, taking on the Artistic Director role with the Hawaiian Music Hall of Fame, where she produces the annual Lei of Stars installation of Hawaiian Music Hall of Fame inductees, and serves as the secretary for the nonprofit BEHawaii.

“My work with BEHawaii has been deeply meaningful as we started around a simple dining room table in Kapālama committed to elevating musicians in Hawaii and branching out in ways I would have never imagined,” Lee said. “BEHawaii is committed to finding solutions for our Lāhui in diverse ways, and holding fast to our Kūpuna and their wisdom.”

The group also launched the Lei Poinaʻole Project, which aims to revitalize, strengthen and support the Hawaiʻi lei industry. Lei Poina‘ole means “the never forgotten lei,” and the project is committed to this vision, so that the Hawaiʻi lei industry and its people are never forgotten.

To increase awareness and generate demand for locally grown flowers, materials, and lei, program leaders said the message is simple: “When you buy locally produced lei, you are nourishing our ʻāina, supporting Hawaiʻi farmers, preserving local traditions, and sharing aloha throughout our community.”

And aloha is what Lee has shared and breathed ever since she was a keiki riding the #53 Bus to school.

Surf Studies

July 18, 2023

Culture, history and future intersect to create the perfect wave

Surf studies may just well be the new wave in some academia circles. As more scholars publish academic books about the sport of surfing, from “Waves of Resistance: Surfing and History in Twentieth-Century Hawaiʻi” to “Waves of Knowing: A Seascape Epistemology,” universities around the world have begun to embrace the discipline as worthy of research, education and scholarship.

A decade ago, a love for surfing prompted a group of Chaminade faculty members, including Drs. Jim Kraus, Pete Steiger, Michio Yamasaki and Hank Trapido-Rosenthal, to brainstorm the idea of teaching an undergraduate surf class. Yet, it wasn’t until a few years ago, during a casual faculty pau hana, that the notion of “Critical Surf Studies” re-emerged.

“I mentioned it to Lynn (President Babington) and she was interested,” recalls Kraus, an avid surfer since the ’60s and the former publisher of “Hawai‘i Surf & Sea;” from 1980-1984. “Then Lance (Provost) walked by, and I pitched the idea to him, too.”

Eventually, it was Cheryl Edelson, Ph.D., Dean of School of Humanities, Arts, and Design, who presented the topic to the full Chaminade Curriculum Council, which is the final recommending voice in curricular matters with the definitive stamps of approval resting with Drs. Babington and Askildson.

Magazine illustration of native Hawaiians surf-riding (surfing) from an article entitled “Our Neighbors of the Sandwich Islands” in Hutchings’ California Magazine, November 1858.

“Surfing is such an integral part of Hawaiian culture that it deserves to be part of our curriculum,” Babington says. “This program is the first of its kind in Hawai‘i, and it challenges students to explore surf culture’s indigenous origins, its growing popularity globally and its importance to Hawai‘i’s sense of place.”

Duke Paoa Kahinu Mokoe Hulikohola Kahanamoku (August 24, 1890 – January 22, 1968) was a Hawaiian competition swimmer who popularized the sport of surfing. — **Duke Paoa Kahinu Mokoe Hulikohola Kahanamoku** (August 24, 1890 – January 22, 1968) was a Hawaiian Olympic swimmer who popularized the sport of surfing.

Celebrating its second anniversary, the Surf Studies Minor examines the broad area of surfing communities and the complicated conflicts that define them, conflicts over access—to beaches, to parking and to the surf zone (po‘ina nalu) itself. Also of central concern is “ownership” of individual waves. It’s a question that Kraus posed in his first class of the semester.

“The idea behind wave ownership and the entitlement that accompanies the belief that one could own any wave signifies a pretty strong misunderstanding of the relationship between surfers and the wave,” Environmental Studies major, Kahana Yokoyama ’23, posted to the class’s online forum. “A good example is merging while driving. If two lanes combine, regardless of where, there is a relatively similar degree of respect when leaving room for others to merge. Taking turns is the most basic basis for this and the same is true for surfing.”

The SURF 480 class uses an asynchronous-learning model, which does not require consistent real-time interactions with an instructor. Students can access course materials—lectures, readings and assignments—on their own time. Although this is an online class, students are required to regularly participate by posting responses to questions posed on the forum. And they must also keep a journal in a conventional bound paper notebook, which they will have to submit regularly, and which Kraus says he reserves the right to read.

“We examine surfing in an academic sense and as part of pop culture,” Kraus explains. “We look at surfing from three perspectives: as a spectator watching surfers from the beach, in the movies and online; as a participant who enters the water and finds a way to the po’ina nalu; and as a literalist, someone who watches weather reports and predicts the surf, promotes surfing, or designs surf boards or clothing.”

According to Kraus, by the end of the term, students should be able to 1) define key terminology used in the interpretation and analysis of surf culture; 2) articulate the relationship between surfing communities and coastal ecosystems; and 3) report on what is of personal, ethical or religious significance in surfing and surf studies by applying Marianist values related to “Education in Family Spirit.”

“This class accentuates my environmental studies, and gives context to the Hawaiian culture and what we read about in texts,” says Yokoyama, who already has a job lined up as an environmental consultant with a Kailua firm. “It teaches you how to apply what you’re learning about surfing to reef health, and how coastal eco-systems interact with surfing as a sport and an industry.”

One of the most famous surf spots in the world, Oahu’s North Shore’s Banzai Pipeline, is the site of one of three of the competitions for the Vans Triple Crown of Surfing title.

While Chaminade students are able to minor in Surf Studies, other universities now offer fully-fledged bachelor’s degrees in surfing, while a few schools even enroll students in post-graduate programs that focus on surfing.

Dr. Gail Grabowsky, Dean of the School of Natural Sciences & Mathematics and Executive Director U.N. CIFAL Honolulu, believes that there’s a lot of activity related to getting on a board and riding the waves. “Many of the Environmental Studies students love the ocean, and are also very conscious of issues like marine debris and materialism,” says Grabowsky. “There are also some wonderful service opportunities with charitable organizations that really look after the ocean, such as the Surfrider Foundation, which has raised awareness and kept wonderful data.”

Askildson has developed a deep connection with surfing since he first learned the art of riding waves off the shores of Daytona Beach in Florida 25 years ago. His affinity towards the surf has grown even deeper since first moving to Australia and now to Hawai‘i.

“I found the Surf Studies program compelling because it is as much about the history of the Hawaiian culture as it is about the history of surfing,” Askildson asserts. “At Chaminade, we serve the people of Hawai‘i and celebrate the culture that makes our islands both unique and special; this program is a striking articulation of that mission and legacy.”

Chaminade Scholar

June 13, 2023

Depending on the power grid in the countryside of Ukraine, Chaminade sophomore Victoria DelaCruz ’25 may or may not be able to teach American culture, environment and English to Kate (not her real name to protect her identity) through a volunteer role with ENGin, a nonprofit group that offers a unique opportunity to make a difference in a Ukrainian’s life. It’s a volunteer role that she pursued during her freshman year in 2021.

What she didn’t anticipate, though, was the Russian invasion of the second largest European country in February 2022. Still, the Saipan native persisted and persevered to maintain contact with Kate at least once a week to this very day.

“She wants to improve her English, and I’m trying to help her do that,” says DelaCruz, who opted to major in Data Science, Analytics and Visualization. “I am provided with class lessons, but I tailor them to fit with what I’m comfortable with.”

Growing up in the largest island in the Northern Mariana Islands, DelaCruz has always felt comfortable with helping her community, following her mom to work at KARIDAT, a not-for-profit, social service organization under the Catholic Charity Diocese of Chalan Kanoa. In 2018, when Super Typhoon Yutu, the strongest typhoon ever recorded to impact the Mariana Islands and the second-strongest to strike the United States or its territories, slammed into Saipan, DelaCruz was there.

Victoria DelaCruz helps out at the Kaimuki office of Aloha Harvest.

“She was doing basic intakes and helping out in the food pantry,” recalls mom Elaine DelaCruz, a Chaminade alumna who earned her bachelor’s degree in 1999 and her M.S. in Counseling Psychology (MSCP) in 2003. “She has always wanted to serve her community ever since she was a young girl.”

DelaCruz personifies the Chaminade Scholar, defined as a student who strives to discover his or her life vocation, to be a servant leader and to use God-given gifts and talents to pursue the common good. “Her reflection on service and the path she traveled to earn her internship with Aloha Harvest are inspiring,” says Bro. Ed Brink, a member of the Mission and Identity Committee that selects Chaminade Scholars. “She’s truly a remarkable young woman who exemplifies the Marianist education and values.”

While searching for a service project to fulfill one of the mandatory requirements of being a Chaminade Scholar, DelaCruz came upon the AmeriCorps Vista program and decided to become a member. The objective of Volunteers in Service to America (VISTA) is to provide needed resources to nonprofit organizations and public agencies to increase their capacity to lift communities out of poverty. It just so happened that Aloha Harvest was registering to participate in the VISTA program and looking for someone to work in its office.

“I started as a volunteer in late September 2022,” DelaCruz recalls. “At that point, Aloha Harvest was in the process of creating an AmeriCorps VISTA position (Program Data Evaluation Specialist), and found out I was a Data Science student. So, they asked me if I would be willing to fulfill that position, and that’s how I was recruited. My official first day as a full-time service member with Aloha Harvest was January 17, 2023, and I will be there until January 17, 2024.”

In addition to being a Chaminade Scholar, DelaCruz is also in the Experiential Honors Program, and she serves as vice president of the Chaminade Sustainability Council, the design manager for the Chaminade Student Programming Board and an Alliance Research Intern with the National Science Foundation.

DelaCruz credits her Chaminade Scholar status, not only for her monetary scholarship, but for helping her grow and commit to community service, which she plans to continue in Saipan after she graduates in 2024.

“When it comes to data science, there’s a great demand for it in Saipan, from the medical to the educational field,” DelaCruz asserts. “Saipan usually has to bring in people from the Mainland but it never lasts too long.”

And if you had told DelaCruz that she would be pursuing a degree in data science a year ago, she says she would have thought you were lying. “I never considered technology, and now I’m learning to code and use data,” she says. “I’m really glad I changed my major to DSAV because the skills that I have learned can be applied to so many fields. And I can use the knowledge that I gained and my passion for service to help my Chamorro community.”

Land-based Pedagogical Approach

June 13, 2023

Associate Professor of Arts and Design Junghwa Suh, D.Arch, is throwing caution to the wind and subverting the dominant paradigm. Ever since she took an ʻāina-based education workshop conducted by Cultural Engagement Specialist, Kahoalii Keahi-Wood, the Arts Program Coordinator has questioned her pedagogical style, drawing into particular focus her epistemology of interior design and the entire academic process.

“I was inspired by his teaching,” said Suh of Keahi-Wood. “His workshops were free-flowing and discussions came naturally, especially about respect of place and the ʻāina.”

In collaboration with then-visiting University of Maryland architecture professor, Ming Hu, Suh helped develop a new course themed, “ʻĀina-based Design Solution for Indigenous Communities in Hawaii.” The goal of the new course is to propose, test and validate an integrated ʻāina-based design approach that is intended to serve indigenous communities in Hawai‘i.

“The traditional pedagogical approach is process- and goal-oriented, meaning the structure of a course is linear—going from Point A to Point B,” Suh explained. “And because design education is very structured in the process, we sometimes lose the sight of meaning. Yes, content needs to be delivered, but it needs to be delivered meaningfully and beyond a set of skills.”

Associate Professor of Arts and Design Junghwa Suh, D.Arch presented her new course, "Āina-based Design Solution for Indigenous Communities in Hawaii," at the Association of Collegiate Schools of Architecture (ACSA) and the European Association for Architectural Education (EAAE) Conference in Reykjavik, Iceland. — Associate Professor of Arts and Design Junghwa Suh, D.Arch presented her new course, “Āina-based Design Solution for Indigenous Communities in Hawaii,” at the Association of Collegiate Schools of Architecture (ACSA) and the European Association for Architectural Education (EAAE) Conference in Reykjavik, Iceland.

While teaching the Studio Commercial course for seniors’ capstone Environmental + Interior Design project, Hu tasked the students to come up with a design to restore the Maunalua Fishpond Heritage Center in East Oahu, keeping true to the natural elements of the environs. Students had to understand the importance of the Center’s Kānewai Spring, which is “where the mountain gives birth to the ocean.” They also had to take into account the many cultural sites surrounding the spring, including the mākāhā (fishpond sluice gate) and kū‘ula (fishing stone shrine) with an upright Kū stone balanced by a low Hina stone where the fishermen of old would have given offerings asking for a plentiful catch.

“In the client briefing, we learned that the Center is dedicated towards passing down the Hawaiian culture to the next generation through education sessions and volunteer opportunities,” said newly-minted graduate, Maria Bernaldez ’23, who presented her design concept to leaders at the Center. “With that in mind, I implemented traditional Hawaiian hale aspects, keeping open entrances with no doors in places for public accessibility and wood slat ceiling and beams to imitate exposed wooden rafters and roofing made of coconut thatching.”

For her Materiality Interior Design Studio course, Suh assigned sophomores the project of re-conceptualizing the space at The Institute for Human Services’ Women’s & Family Shelter, giving the dormitory areas a more welcoming, inviting design, while mindful of the context and the community.

“They got to know the space, especially the sleeping areas,” Suh said. “I appreciated their research into understanding people, and learning how textural and tactile elements interact with the environment in this particular setting.”

The project spawned a discussion among Suh, Hu and E + ID program coordinator Matthew Higgins, and eventually evolved into an innovative research project that will be presented at the Association of Collegiate Schools of Architecture (ACSA) and the European Association for Architectural Education (EAAE) Conference on June 22-24, in Reykjavik, Iceland.

Titled, ‘Āina-based Design of Emergency and Homeless Shelters for Indigenous Communities, the project’s premise is to address the need for a novel design approach and socially-rich data on native Hawai‘i housing to guide future projects, and to avoid mistakes of the past. According to the abstract, the project tests two design principles that have been overlooked in the development of emergency housing initiatives: the integration of Hawaiian values with respect to the land (ʻāina) and people; and community engagement to generate solutions that are informed by local need.

“The beauty of being in an education environment is that it allows you to explore the meaning of an ʻāina-based design,” Suh said. “You get to know the actual place and not just the physical structure on the property. It’s placing the land in a historical and cultural context, and learning its significance; the overall approach to the design is dictated by the ʻāina and not the place.”

Designing Women

May 5, 2023

E+ID students present their works at the Senior Showcase Exhibit

After all the late nights, tears and sweat, 2023 graduating seniors, Montserrat Lanfranco, Laura Flor, Maria Bernaldez, Angela Huber and Sarah Robertson had one last hurdle before Commencement: the Environmental + Interior Design’s Senior Showcase Exhibit. Presenting their projects to industry designers, family and friends on a Thursday night, the five seniors were eager to share a compilation of their works over the course of their undergraduate studies.

“There will be no more crying in the studio and calling security late at night to open the doors,” Flor laughed. “It’s exciting to be done, but it feels surreal because we’re all still busy.”

During her freshman year, Lanfranco built a “light box,” as required in her EID 205 Color for Interiors class, which focused extensively on the use and application of color in interior environments, including color notations, the Psychology of color and human response and application of color.

Using a flashlight utility on an iPhone, Lanfranco pointed a beam inside the box—which had several round cutouts, each covered with a different patch of color cellophane—and explained the effects that color has on people’s moods.

“Imagine this is a building and the sun is moving through it, casting different colors and lighting,” said Lanfranco, shining a beam across her light box. “Color and lighting can certainly impact a person’s behavior and mental state.”

For her senior Capstone project, Bernaldez presented a re-design proposal to members of the Kahuku Medical Center Kupuna Caregivers. She also participated in a pitch to Maunalua Fishpond Heritage Center in East Oahu.

“I also had an internship with RMA Architects,” Bernaldez said. “And I just received an email about a full-time junior interior designer job offer from my supervisor at RMA, so I’m absolutely thrilled.”

The mission of Chaminade University’s Environmental + Interior Design Program is to educate, engage and empower students to optimize design of the built environment as it relates to our global, multi-cultural, multi-generational living and working communities. Graduates, like Bernaldez, are prepared to make the transition to entry-level professional practice, and to collaborate with architects and related industry professionals.

“The scope of design has expanded and much broader now,” explained E + ID program coordinator Matthew Higgins. “Here at Chaminade, the program added ‘Environmental’ to the curriculum in attempt to breakdown barriers, and to think beyond windows and doors.”

This was precisely the approach that Fuentes took when she worked on her Art Museum project. “I wanted to see how someone diagnosed with autism—which includes such a broad spectrum—would experience an art exhibit,” Fuentes said. “So, I set out to create more of an interactive exhibit.”