Environmental + Interior Design

Data and Design: A Powerful Storyteller

December 16, 2020 by University Communications & Marketing

Majoring in data science means you spend a lot of your time combing through data, learning to use coding software, digitally mapping data and analyzing results. But at Chaminade University, it also means learning how to tell a story, understanding color theory, learning how to use design software and understanding the principles of visual communication.

Data Science 403: Digital Humanities is a new interdisciplinary course taught by Dr. Junghwa Suh, associate professor of environmental + interior design and Dr. Laura Tipton, assistant professor of data science, that all data science majors at Chaminade are required to take. The course merges the fields of humanities and data science, and teaches students how to turn data into meaningful, visual stories and relate it back to various dimensions of human living.

“We wanted to challenge the more analytic students in the course to think more creatively, both in their presentations and in their topics of study,” says Dr. Suh. “We wanted to show that not every data science analysis is based on a scientific study, sometimes we use data science to analyse classic literature or song lyrics.”

For many of the students, this was their first foray into the humanities and they weren’t quite sure what to expect.

“At the beginning of the semester, I interpreted digital humanities solely as studying the history of data science and technology,” says Trinity Young, a fourth-year student. “But now, after taking this course, I better understand that digital humanities is the study of applying data and technology to analyze and better understand human society and culture.”

Digital Humanities Miley Cyrus presentation

In the first iteration of the course this past fall semester, each student was tasked with choosing a topic for a semester-long project that either brings them happiness or sparks their interest and passion. They then spent the first-half of the semester collecting and analyzing data, and the second half of the semester learning to develop a visually appealing story out of the data and present their findings.

“[This course] really gave me another perspective in this area and allowed me to see the story behind everything,” says Taylor Ishisaka, a third-year student who used the project to explore how Miley Cyrus’s character has developed throughout various events and albums. “As of now, I truly think that it is necessary to have previous knowledge in humanities in order to understand the digital world better.”

Lilianna Flynn, a senior who is majoring in business administration and minoring in data science, did her project on the recent Australian wildfires. She used data visualizations and word clouds to determine the causes and consequences of the wildfires and to identify solutions.

“I believe my word clouds were my best visual aid,” says Flynn. “They displayed the most important words and gave the readers a basic understanding of the news articles.”

But her favorite part was seeing how creative her fellow classmates were in choosing their topics.

“My favorite part of the semester was listening to everyone’s presentations,” says Flynn. “Everyone had different ways of analyzing their data and unique presentation designs. Now, I believe design is even more important to communicate data visualizations effectively.”

While the course was fun and meaningful for the students, the professors also had a good time with it.

“I was really excited when I saw this course listed as part of the data science curriculum because it gave me a chance to highlight some of my “passion project” research areas, including dance history and mythology,” says Dr. Tipton. “And it gave me a chance to see what non-science interests the students have.”

On the other side, Dr. Suh was excited to take a dive into the sciences. “I have always wanted to teach a course where science meets art and design, and vice versa,” she says. “I usually don’t have a chance to meet students from other disciplines, so it was great interacting with the data science students.”

The pair is now brainstorming ways to expand the course in the future.

“Now I’m excited to see where this collaboration goes and how we can include students from other majors, like design and other humanities, next year,” says Dr. Tipton.

A Winning Pair

November 19, 2020 by University Communications & Marketing

When Aurelia Vining and Jacqueline (Jaci) Harbin met during their first design studio course at Chaminade University, they became fast friends. They had both come from Army backgrounds before joining the Environmental + Interior Design program as transfer students in 2018, and their shared experiences matched with their opposing design approaches quickly proved to be a winning combination.

E+ID students Aurelia Vining and Jacqueline Harbin presenting their MRO project

They worked on a group project together during that first class, and it went so well that it solidified their partnership for much of the last two years. Since then, they’ve collaborated on several extracurricular projects, including working with the Marianist brothers to design a new exterior patio for the Mystical Rose Oratory.

“We had the chance to work on several extra-curricular design projects together, and it became clear that we balanced each other well,” says Harbin. “Things that I struggle with, Aurelia has completely mastered and areas where she might not be so strong, I excel.”

Their synergy recently came to fruition when it won them the 2020 Award of Excellence at the recent American Society of Interior Designers (ASID), Hawaii Chapter virtual award ceremony.

In January, their senior level commercial design studio course comprised a semester-long partner project. The class had chosen to design a boutique hotel—they were all given the footprint of an imaginary hotel in Vancouver, Canada and the pairs were tasked with designing three public spaces: the ground level, the lower level and the penthouse. The final design was due at the end of the semester in May.

“For this project we got to choose our partners so of course I was going to pick my Ace, Jaci Harbin,” says Vining. “She’s a wonderful designer and our styles are completely opposite of one another. I think that aspect of our relationship makes us question each other enough that we make sure our designs are purposeful, intentional and beautiful.”

Harbin and Vining designed The Glacier, an immersive hotel designed to capture the serenity that comes from being in nature. Upon arrival, the design protects guests with an outdoor vestibule positioned specifically to mitigate the northeastern winds. The lobby is darned with curved woods, semi-transparent materials and multi-faceted built-ins that help create a sense of humility and a feeling of being part of something bigger. On the inside, the ground floor included a lounge with a kids play space, a bar and space for casual dining, and outside the designers made space for an outdoor lounge, a rental area and an outdoor ice skating rink.

But the part that really captured the attention of the ASID judges was the outdoor star-gazing balcony in the penthouse. The virtual award ceremony specifically called out this area, with a quote from one of the judges saying “My favorite is the stargazing area. I like that the students thought through every scenario so that visitors would be able to see the constellations and stars day or night and all times of the year.”

The project wasn’t without its challenges—halfway through the semester COVID-19 hit and in-person classes were canceled.

“Zoom presentations are completely different from in-person presentations,” recalls Harbin. “The way you present yourself, how you showcase your work, all of that changes. You cannot have physical material boards because they don’t showcase well on a digital platform but that also means the client cannot touch the materials.”

It helped that the pair was already so close and had such a solid partnership to begin with. “The fact that we were already so comfortable with one another made a huge difference—it would have been very difficult to excel if we had just met one another,” admits Harbin.

But they did excel. Combined, the two put in over 600 hours to perfect the design of The Glacier. And when the project was completed, they submitted it for the ASID award, and won.

“Winning the ASID Hawaii Award of Excellence is a pinnacle moment for Jaci and Aurelia,” says Joan Riggs, the director of the Environmental + Interior Design program and a cherished professor and mentor. “This pair of emerging professionals hit the ground running with wanting to learn everything about design, taking risks with ideas and stretching themselves from day one.”

The two credit a lot of their success to the mentorship they received from both Riggs and their professor, Liza Lockard.

“I don’t think [Professor Lockard] ever told us we couldn’t do something—she just guided our explorations in the design process,” says Vining. “I loved when we’d ask her if we could do something and her response would be ‘I don’t know, can you?’ That was so encouraging and refreshing.”

Though they will both graduate this semester, this is likely just the beginning of the duo’s journey together.

The day after submitting their final design of The Glacier, they received an email from Joan Riggs saying she had a paid summer project for them if they were interested. The project was to design the tour check-in and retail area for Magnum Helicopter Tours at their Honolulu Airport facility. The space was being constructed, and they were looking to the design students to help them execute their vision.

“It was fascinating to watch a project happen in real time,” says Harbin. “There was a real sense of urgency regarding this project, but they were looking to us as the professionals and trusted our opinions and recommendations.”

Now, with graduation just a few weeks away, Harbin and Vining are trying to work out the logistics of a long-term professional partnership doing real estate development in San Antonio, Texas, where Vining will be moving next summer.

“I think hands down, you have to find someone that you can work with and trust they will put in the same amount of effort,” says Vining. “Jaci and I have been pairing together whenever we can, and have done multiple school projects, service learning and freelance projects together. She is by far the best partner!”

Designing While Quarantined

May 29, 2020 by University Communications & Marketing

Over 15 Chaminade alumni attended a virtual event on Saturday, May 16 to gain insider tips for updating their space during stay-at-home orders. The event, Designing Your Space, was hosted by Alumni Relations and featured a panel of four Environmental + Interior Design graduates who shared tricks for updating, organizing and styling home spaces.

Chaminade alumni attended a virtual event to gain insider tips for updating their space during stay-at-home orders

With so many people obeying stay-at-home orders and spending more time in their homes, Nicolle Soriano ‘18, junior interior designer at WCIT Architecture, offered ways to maximize space and feel less confined. Some tips included using furniture to section off spaces, measuring areas to ensure the furniture you use fits appropriately, using neutral colors to make spaces feel more open and using shelving for storage and artwork.

Many people are also finding themselves suddenly working from home. Catherine Valentine ‘18, project designer at Philpots Interiors, offered tips for designing a workspace when you don’t have a home office. The first step is to find a place away from your bedroom, kitchen or typical relaxing area—when you finish work for the day, you don’t want to be reminded of it while you’re cooking, relaxing, trying to sleep or playing with the kids. She also mentioned that lighting and air ventilation can make a big difference in productivity. Ultimately, pay attention to what your work station is like in your office at work and in places where you do your best work, and try to replicate that setup at home.

There are also ways to mitigate noises while you’re trying to work from home. Gerlie Valdez ’17, senior designer at Pyramid Premier Properties, offered both short-term and long-term solutions. If you’re looking for a short-term fix, consider using fabrics and rugs to help reduce noise transmission. You can look for fabrics that have a sound transmission class (STC) rating, or you can simply use fabrics that have double layers, like burlap or velvet. Even blackout curtains help absorb noise. If you’re looking for a more long-term solution, consider adding mass loaded vinyl (MLV) under your carpet, or using decorative acoustic panels on your walls.

It’s also important to consider color. According to Marisa Saito ’17, junior interior designer at AHL, colors can dictate your mood so choose the right colors for the right space. For example, use brighter colors like reds, oranges and yellows to bring in more life and energy. Use blues and greens to create a calm or serene feel. Also, pay attention to color intensity—more vibrant colors can often be distracting and too intense. The best thing to do is to analyze how you want a space to make you feel, and then plan accordingly.

Other tips that the panel shared included:

Spend the bulk of your budget on a statement piece—something to draw your eye that you’re proud of and that brings you joy. You’ll get more bang for your buck and it will help make your space more personal.
If you’re on a limited budget, consider using things like accent paint, plants, hanging artwork and accessories to bring a space together and make it your own.
If you own your home, consider how long you plan to live in it before undergoing a complete remodel. While you want your home to be personal, you also want to maintain its resale value.
If you rent your home, work with what you have, and not against it. It’s important to choose the right furniture to fit your space, and you can do small things like change light fixtures or curtain rods, cover floors with rugs and hang artwork to bring it all together.
Create separate spaces within your home by decluttering and using a rug to highlight an area, plants to separate places, and accent walls to define spaces.
Consider scale and room size before decorating. If you’re working with a small space, avoid bulkier pieces to ensure you have ample space to walk and move around. If you’re working with a larger area, use taller, elongating pieces to maximize space.
Don’t forget about the outdoor areas. Utilize your outdoor space and bring the outdoors in with plants and images of nature.

Ultimately, it’s about making your home personal and creating something that you can feel proud of and feel comfortable in. With so many of us staying home, now is as good a time as any to finally turn your house into a home!

Green Roofs & Living Walls

April 27, 2020 by University Communications & Marketing

Environmental+Interior Design students participate in service-learning project: green roof and living walls

Lots of times, designers create spaces for working and for living that cut us off from nature.

But an exciting initiative underway at Chaminade is aimed at challenging Environmental + Interior Design students to do the opposite by working to model and construct green roofs and living walls.

It’s all part of Chaminade’s Sustainability in Design course, which is aimed at helping students unpack principles of sustainable design by focusing on key environmental issues and then considering how they relate to other areas of society, including economic inequities and social disparities. The idea: Think through how relatively simple environmentally friendly design changes can have a positive impact.

That’s where green roofs and living walls come in.

For several years, students in the class have participated in a field project in partnership with the University of Hawaii at Manoa’s College of Tropical Agriculture to install the design elements — along the way exploring the potential benefits of adding more greenery to urban landscapes.

In participating in the hands-on project, students learn first-hand how sustainable design can make a significant difference to city life. Green roofs and living walls can cool buildings, be sources of food, offer aesthetic appeal and can improve air and water quality. They can also provide a much-needed space for recreation or reflection — or even for gathering people together to try their hand at gardening.

Chaminade Environmental Science major Hiilani Fujihara-Nagamine ‘21 participated in the service learning project and said the class learned all about green roofs and living walls before actually working on them in person. “I can see a future in having these two concepts come to life here in Hawaii,” she said. “The islands seem to be the ideal place for green roofs and living walls due to the wonderful weather all year round. Native plants could be planted to increase the native plant population.”

She said her favorite part of the effort was learning about an actual solution — something tangible designers and environmentalists and even regular people could do to make a positive difference. “I want to make sure that the Earth is still around for the next generations to come,” she said.

“This experience will help me find more solutions that can help solve the problems in this world.”

The World is Our Classroom: E+ID Students Travel to Vancouver

March 4, 2020 by University Communications & Marketing

Every year, students in Chaminade’s Senior Commercial Design dream up a major project to execute.

And this year, they wanted to design a boutique hotel.

Environmental + Interior Design Students in Vancouver for their experiential learning field trip

Dr. Elizabeth Lockard, associate professor of Environmental + Interior Design, was on board with the idea. But she also threw in a few curve balls. She required that the hotel be situated in a cold climate, where students would have to insulate for below freezing temperatures and strong winter storms. She also said the students would need to use the metric system.

The stipulations were meant to be especially challenging to a class studying in oh-so-balmy Hawaii.

That’s why, Lockard said, a central component of the design class is to visit a destination where their project could be centered. The idea: allow students to see firsthand how a given environment can be incorporated into their final design.

To meet Lockard’s requirements, the group settled on Vancouver and started raising funds to make the trip.

And last month, four seniors and Lockard jetted off to the city for some invaluable hands-on research.

From February 6 to 9, they walked the city, visiting art galleries, trekking up Grouse Mountain and touring hotels and a proposed project site.

They walked away knowing so much more about cold climate design than a book or a lecture could ever tell them, Lockard said, allowing them to understand a place “viscerally as well as intellectually.”

“It allowed them to internalize their knowledge in a way that it could not happen in the classroom alone,” she said.

Allisen Caberto, who hopes to graduate in May, said the real-world exercise was rich with “ah-ha! moments.”

“Rather than role-play hypothetically, you get to become part of the lesson,” she said.

Caberto added the trip also hammered home for her how vital it is to consider sustainability in a final design project. “Whatever we build and create has an impact on it, and so as designers who have a larger influence on building designs, we should try to build consciously and harmoniously with the natural environment to help reduce human footprint,” she said.

“And from visiting Vancouver, it is visibly clear they keep the natural environment in mind and embrace the outdoors.”

Senior Elyssa Shirai also took the trip and said it left her “inspired.”

“Not only are you seeing a place that isn’t like Hawaii but also to take in the lifestyle of the people who live there, the amazing sceneries and different landscapes of that place,” she said. “There were many special moments on this trip.”

Lockard said one of the major takeaways for students is that interior design is a practical field that requires hands-on learning. She noted that details like pedestrian or vehicular traffic patterns can have a significant impact on a design and can’t be discerned solely by looking at a map.

The trip allowed the seniors to “internalize” their knowledge, she said.

That kind of transformational experience “could not happen in the classroom alone,” Lockard said.

Psychology Meets Design

December 20, 2019 by University Communications & Marketing

Interior design is about space planning, lighting, architecture and the environment.

But ultimately, Dr. Junghwa Suh likes to tell her students, it’s about people. How people live, work – and play.

And this year, the associate professor of Environmental + Interior Design at Chaminade, took that lesson to new lengths with an innovative collaboration that weaved in key principles of psychology.

For the project, Suh partnered with Dr. Blendine Hawkins, Assistant Professor of Psychology.

Environmental + Interior Design and Psychology students discussing their interdisciplinary projects

Together, they tasked PSY 321: The Psychology of Personality students and EID 200: Introduction of Interior Design students with working side by side to analyze the character and personality traits of their clients to envision a truly person-centered home – complete with a unique design feature.

And the project had a fun twist: The so-called “clients” were actually characters from “The Office.”

So one group of psychology and EID students designed a home for Angela Martin, head of accounting on the show and known for more than a few eccentricities, including treating her four cats like her children.

Another designed a living space for Michael Scott (played by Steve Carell), the boss of the paper distribution branch featured in the show who – rather oddly – fancies himself a skilled performer.

The two professors came up with the idea for the project while Suh was visiting Hawkins’ class for a peer teaching observation. Afterwards, the two were chatting and Suh mentioned just how relevant psychology is to the field of interior design, especially when thinking about living spaces.

“Together we came up with the idea that it would be interesting to have psychology and design students collaborate,” Hawkins said, “by bringing the learning from their respective field into a culminating project” and having students from each field serve as experts to their peer counterparts.

The professors launched the project in the fall, both classes coming together frequently to build a foundation of knowledge in psychology and interior design, then to apply what they’d learned and finally to present their final projects – those client-centered living spaces – at the end of the term.

The psychology students were tasked with “developing a deep understanding” of their “Office” character and communicating that analysis to their design colleagues. The design students then used the analysis from their peers to develop a living space that truly incorporates their character’s traits.

The professors said the project was a hit with students, who appreciated the chance to learn about another field of study, apply it to their own – and, of course, watch some episodes from “The Office.”

Environmental Science student Noah Lorenzo ’21 was among the psychology students and said he enjoyed working closely with students from different majors and applying the theories he learned in a concrete way – to a home designed for a client. “My biggest takeaway from this project is seeing that it is possible for two different majors to collaborate on a single project,” Lorenzo said.

He added he’d love to see more interdisciplinary collaboration in other classes.

“It was interesting because I took the class to learn why people act a certain way,” Lorenzo said. “This project was fun because we did just that and applied it to a realistic setting.”

Suh said the interdisciplinary project had its challenges, especially as students sought to better understand their counterparts’ fields of study and incorporate them into their own. “We were able to witness the benefits of this collaboration,” she said, adding that she and Hawkins also learned a lot along the way – and are already thinking about how to bring their students together again.