Ph.D. English Literature, University of Edinburgh
M.Sc. by research in English Literature
M.A. Honors Degree in English Literature
English 101, 102, 201, 255, 315
Awards and Honors
2016 Father Brolin Award for Faculty Scholarship
Robert Louis Stevenson and the Great Affair: Memory, Movement, and Modernity (Routledge 2017); Robert Louis Stevenson and the Pictorial Text (Routledge 2017); Picturing Scotland through the Waverley Novels: Walter Scott and the Origins of the Victorian Illustrated Text (Ashgate 2010).
Robert Louis Stevenson and the Pictorial Text: A Case Study in the Victorian Illustrated Novel, accepted as a proposal by Ashgate Publishing, contract signed December 2012, for delivery date of August 2015.
Picturing Scotland through the Waverley Novels: Walter Scott and the Origins of the Victorian Illustrated Novel. Burlington, VT: Ashgate, 2010.
“Stevenson in the Magazine of Art.” Journal of Stevenson Studies 9 (2012).
“Teaching Stevenson’s Pacific Stories to Pacific Classrooms.” Approaches to Teaching Robert Louis Stevenson. Ed. Caroline McCracken-Flesher. New York, NY: Modern Language Association. 2000.
“Illustrating Island Nights’ Entertainments: the problem of exotic authenticity.” Journal of Stevenson Studies 8. (2011).
“Scott, Stevenson and popular visual culture: text and image in romance writing.” National Sun Yat-Sen Journal of Humanities 30 (January 2011). Lead article.
“Robert Louis Stevenson’s Davos studio: author and art in 1882.” Scottish Literary Review 2.2 (2011).
“Scott, Hogg, and the Gift-Book Editors: Authorship in the Face of Industrial Production.” Romantic Textualities: Literature and Print Culture, 1780–1840, 19 (2009). Online: Internet: .
“The Illustration of the Waverley Novels: Scott and Popular Illustrated Fiction.” Scottish Literary Review 1.1 (2009).
Review, “Gillian Hughes, James Hogg: A Life (EUP, 2007).” Romantic Textualities: Literature and Print Culture, 1780-1840 18 (2008). Online: Internet.